

..
,
68
Four hours a day, five days a week, for two months -
Totaling over 180 hours of practicing - The jokes be–
come sour, the nerves become raw, brains tired, memories
foggy - Bodies sore and aching - Throats rough
and dry - Day after day - Repeating the same lines
over and over and over and over ... and over - Lying
in the semi-dark auditorium on the rough red carpet –
Waiting for your cues - Missing them more than once–
Dancers meeting cast - Orchestra meeting sound crew
- Taking 50 or 60 people, throwing them together for
eight weeks in red alert conditions - You come out
either all mentally unstable or all everlasting friends –
Comparable to a miniature " Peyton Place" - Sitting
around after practice listening to a critique - Realizing
every day brings the production closer, closer, until ...
DRESS REHEARSAL - Make-up, lights, set - Opening
nights after practices painting the scenery -- Falling off
ladders - Slopping goopy paint all over the stage –
Listen ing to "Tommy, " "Jesus Christ Superstar, " and the
Beatles.